THE ALARM – TRANSFORMATION
Mike Peters’ latest outing with The Alarm is more than an album, it’s a testament to survival. Written and recorded during his cancer treatment, Transformation is infused with grit, hope, and a fighting spirit. Produced by George Williams, the album blends anthemic rock with introspective lyrics, all warmed over with Peters’ unmistakable voice. Despite everything Peters sounds energized, defiant, and hope bleeds into every song.
Stream • The Twenty First Century Recording Company • Connect: @theofficialalarm
DAVID BYRNE – WHO IS THE SKY?
David Byrne’s first solo album in seven years, Who Is The Sky?, is quirky, cerebral, and surprisingly catchy. There’s samba, surrealism, and a whole lot of Byrne’s signature oddball charm woven into the twelve tracks with special guests: St. Vincent, Haley Williams of Paramore, and Tom Skinner of The Smile. “Everybody Laughs” is a standout, mixing existential dread with danceable rhythms.
Stream • Matador • Connect: @david.byrne
THE FALL – HEX ENDUCTION HOUR
Mark E. Smith once said he saw no commercial potential in The Fall, and Hex Enduction Hour proves him right in the best way possible. Released in 1982, it’s The Fall at their most uncompromising with two drummers and jagged guitars, it’s messy, abrasive, and totally brilliant. “The Classical” still hits like a brick wall, and “Hip Priest” is eerie in all the right ways. It’s not for everyone, but if you like your rock weird, raw, and British, this is essential listening.
Stream • Cherry Red • Connect: @thefallmusic
THE HIVES – THE HIVES FOREVER FOREVER THE HIVES
The Hives are back after a decade-long break, and they haven’t seemed to lose a minute of their youthful swagger. The Hives Forever Forever the Hives is a full-throttle return to form—loud, fast, and unapologetically chaotic. It’s got all the hallmarks of classic Hives: punchy riffs, shout-along choruses, and Pelle Almqvist howling out front like he’s in danger. Produced with help from Mike D and Josh Homme, this record isn’t trying to reinvent the wheel. In fact, “Enough Is Enough” and “Born A Rebel” sound like they were ripped straight from the Veni Vidi Vicious playbook. But that’s kinda the point, you don’t stop rocking just because you get older.
